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Here are all the paintings of Edward Wadsworth 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 56529 |
 |
fortune-s well,portland |
mk247
1921,oil on canvas,29.5x19.25 in,75x49 cm,mayor gallery,london,uk |
| 461 |
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Harwich Lighthouse |
1820
Tate Gallery, London |
| 442 |
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The Beached Margin |
1937
Tate Gallery, London |
| 46226 |
 |
The Beached Margin |
mk188
Tempera on linen on wood
28 1/4x40 |
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| Edward Wadsworth
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| British
1889-1949
Edward Wadsworth Gallery
1949). English painter. He was raised in a northern industrial environment that was to appear with great forcefulness in his Vorticist work. He studied engineering in Munich from 1906 to 1907 and, like many other Vorticists (see VORTICISM), Wadsworth interest in the machine showed itself at an early age. He also studied art at the Knirr School in Munich in his spare time, before attending Bradford School of Art; he then studied through a scholarship at the Slade School of Art (1908-12) in London. Early paintings like Harrogate Corporation Brickworks (1908; untraced) show a growing interest in industrial subjects. Under the impact of the Post-Impressionists, he turned for a while to portraiture, beach scenes and still-lifes. His work was included in the final month of the Second Post-Impressionist Exhibition held at the Grafton Galleries in 1912, and in the summer of the same year he joined the Omega Workshops, although his alliance with Roger Fry was short-lived. Wadsworth new friendship with Wyndham Lewis led to an abrupt departure from Omega in October, when several of his works were included in Frank Rutter Post-Impressionist and Futurist exhibitions at the Doro Gallery in London. His painting L Omnibus (c. 1913; untraced; see 1974 exh. cat., no. 12) announced his involvement with motorized themes that clearly derived from Futurism.
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